Tuesday 22 December 2015

Sunday Sermon . . .

. . . preached at St Michael's, Chirbury last Sunday (Advent 4) :-

One of my favourite Christmas carols - or, I suppose, more precisely an Advent carol - is “The angel Gabriel from heaven came . . .”  If I’m to be completely honest, I do have to admit that I like it partly because as junior choristers we used to enjoy singing “most highly flavoured gravy” instead of “most highly favoured lady” in the chorus, hoping that the choir master (my father) wouldn’t notice, which he always did, of course. But I like it anyway, that carol: with its vivid retelling of the story of that huge, life-shattering message delivered by an angel to a young girl.

Gabriel in the carol comes across as quite a serious kind of angel - “his wings like drifted snow, his eyes as flame” - the words of the carol inform us. Personally I'd expect God’s angel to have blended in rather better in reality - snowy wings and flaming eyes might have been a bit too obvious on the streets of Nazareth. But then again, perhaps this angel, snowy wings and all, was a vision granted only to Mary.

But why Nazareth, though, I might ask?  Why should an angel come with a message for a peasant girl of no account in such an insignificant little provincial town?  My best reply is that it had to be like that, because this is the way of love, and what begins here in humble Nazareth is the greatest of all love stories. If the messiah had come into the world in any other way he'd have been a different messiah with a different agenda. In the messiah born of Mary, named Jesus and called the Christ, God offers us his love, and seeks our response of love. The truth at the heart of this story is this: love can be won only through love.

Mary is the chosen vessel of that love. "Blessed are you among women!" declares her cousin Elizabeth. Blessed she surely is, but she will suffer as this story unfolds. In the temple old Simeon will tell Mary that a sword will pierce her heart. For  the blessed son she bears she will also see die.
For Mary, to be chosen by God will be to know both blessing and pain: the message of the angel offers her both a crown of joy and a cross of sorrow.

Only Luke tells the story of Mary's visit to Elizabeth. One old tradition places Luke very close to Mary, claiming that, as an artist, he painted her portrait. What certainly is true is that Luke takes great care to get the historical setting right as he tells his story. And he clearly has a sense of theatre too. This story is well staged, and it has songs as well, including the Magnificat, Mary’s song. Did Mary actually speak these words, or did Luke place them in her mouth? Either way, this is a song of revolutionary purpose.

And here is one of the great themes of Luke throughout his Gospel: social concern, and God’s word of promise and welcome to the outcast and the poor. So in Mary's song, the Magnificat, things are re-sorted; the mighty are cast down, and the rich sent away empty, while the humble find themselves exalted and the hungry are fed.

And if that’s what the messiah is coming to do, how could he come into the world in any other way? From the beginning, God’s holy one is identified with the poor, the homeless, the marginalised and the humble. Luke tells us that shepherds were the first people to arrive at the stable; and shepherds people who weren't able to maintain the standards of ritual purity and regular worship that were to be expected. So they were sort of outcast, looked down on by the religious elite. Yet an angel goes to them too, as Luke tells the story. And they come to be at the messiah's side, not because they’ve stumbled by chance on to this new birth but because God chose to tell them, rather than priests or prophets or kings.

Mary, though, remains our focus for now. In a London gallery this time last year, I was admiring a medieval painting of Mary splendidly attired in a velvet gown of blue with red and gold trimmings. Like the finest of ladies of the day, the day being some time in the 15th century. We do tend to dress Mary up, in our paintings, our prayers, our theology . . .

But we shouldn't dress her too finely, for it’s the ordinariness of Mary that makes sense of the Jesus story. God’s son could have been born a child of Herod; or God’s son could have been born to a rival of Herod's, or maybe even of Caesar's, and grown up to kick Herod out and take over his throne - after all, that’s exactly what Herod and his people expected a messiah to do. Someone born into a position of power could have dazzled the priests and the people into instant acquiescence, and taken centre stage from the word go.

But this isn’t that kind of story, and never could be or should be. To Mary the girl, Mary the simple and humble servant comes the most awesome challenge - the Spirit from on high shall overshadow you, and of you shall be born a son who will be Christ the Lord. And Mary could have said 'No'. That was her free choice; love won’t and can’t force its way into the world. Only when Mary says ‘yes’ does the story of our salvation begin. Until she answers the angel all heaven catches its breath and waits; and I find a sense of that divine risk, heaven waiting on Mary, in the carol.

And by her yes Mary became the greatest of saints, and our model as we look to serve our Lord: not because of amazing holiness, or exceptional scholarship, or outstanding bravery, though perhaps courage was part of it - what makes Mary the model for our service is her faithful obedience:  whatever lies ahead, let it be for me, she says, as my Lord wills.

Let it be for me as my Lord wills. We'll be praying that prayer this morning, and we probably pray it every day without really paying the attention we should to the words and what they commit us to. As our Lord has taught us, we pray "thy will be done, thy kingdom come."  And where else can I pray for God's will to be done, other than beginning with me, and where I am? The kingdom comes wherever and whenever we offer ourselves to God. When we pray this prayer, heaven holds its breath and waits on us, as it waited on Mary.

And if I’m serious about "thy will be done" it can’t just be thy will be done when it fits in with what I choose and where I feel comfortable, it can’t just be thy will be done when I can be sure beforehand where it’s going to lead me; I must pray those words and mean them, wherever that may take me. "Thy will be done" is my yes to God’s call.  So where is God leading me, and you?  Where is he wanting to lead our church, in these challenging times?

Why Nazareth and why Bethlehem and why Mary, we may ask today. Or else we could be asking: why Chirbury? why Pontesbury Deanery? why Hereford Diocese? What’s God asking now of me, what's he wanting now from you? Here is where God is working his purpose out, and here is where he's calling us to be the chosen vessels of his grace. But I don’t have the strength, I might complain; I don't have the resources, the staying power, the insight, I might say. I’m not good enough, I might say, and if I'm honest, I often do. God says in response, “That doesn’t matter yet. For the present, all you need to do is to say yes, and trust that I will provide all you need.”

Christmas is just around the corner; and our celebration begins with that essential 'yes' of Mary to God’s angel, for without that yes the story can't start. May our Christmas be a joyful and blessed one, but may it also be a time for us to commit again, and to offer ourselves again - for the Christ child announced to a girl in Nazareth, and born once for all in Bethlehem, seeks still and always to make his home in our hearts, and to be at work in our lives.

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